"... the soul of this most interesting, even innovative project. Orchestra, chorus, soloists became one large, syncretically welded organism." - OperaNews.ru
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Matthias Hartmann, Stage Director
Matthias Hartmann, Stage Director
Matthias Hartmann, Stage Director
Teatro alla Scala debut conducting Pique Dame, Sadko revival at the Bolshoi Theatre Moscow directed by Dmitri Tcherniakov, premieres of Pique Dame at Teatro alla Scala, Der Freischütz and Iolanta, revivals of Don Giovanni and Il Barbiere di Siviglia at Stanislavsky Opera and Ballet Theatre; concert engagements include appearances conducting Evgeny Svetlanov State Academic Symphony Orchestra with Ekaterina Semenchuk; Russian National Orchestra with Carolin Widmann.
The Tale of Tzar Saltan, Mozart and Salieri, Kashchey the Immortal at Mariinsky Theatre. The Rake’s Progress, Tosca, Carmen, Jenufa, Orfeo ed Euridice, Don Giovanni, Cosi fan Tutte, Medea, Il Barbiere di Siviglia, La Boheme, Manon, Otello, Pique Dame, The Secret Marriage, The love for three oranges, The Tale of Tzar Saltan, Bluebeard’s Castle, Oedipus rex all at the Stanislavsky Theatre, Iolanta, Tosca, The Snow Maiden, Eugene Onegin, Dubrovsky, Mozart and Salieri and Kashchey the Immortal at the Mariinsky Theatre, Stanislavsky Theatre ballet in Munich with Bayerische Staatsoper Orchestra, Iolanta in a concert version with Mariinsky Orchestra and Chorus at Prague’s Rudolfinum.
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Sadko
Rimsky-Korsakov
Violin Concerto in D minor
Khachaturian
Violin Concerto in D minor
Khachaturian
Dans la fosse, Timur Zanguiev joue une carte gagnante face à l’excellente phalange milanaise par l’assurance, la justesse et la maitrise de sa direction en symbiose totale avec les chanteurs et la dramaturgie : des débuts périlleux mais prometteurs, à suivre au delà de cette nouvelle production, au demeurant très réussie….
Dirigendo senza bacchetta, con gesto pulito e ampio, all’occorrenza energico e scattante, Zangiev dà, dell’elaborata partitura, una lettura raffinata e nitida, coesa e di lucida levigatezza, soffusa e al contempo vibrante, ottenendo dalla compagine scaligera un suono polito e dalle tinte pastello, all’occorrenza variegato in sonorità corrusche e maggiormente livide (in momenti quali, ad esempio, il temporale del I atto o il suicidio di Liza). Una direzione, quella di Zangiev, nella quale coesistono felicemente tecnica ferrea, rigore stilistico, squisita sensibilità interpretativa e duttilità timbrica, tutto molto apprezzato dagli spettatori.
The accents, somewhere lyrical, somewhere angry, were brightly and correctly placed by conductor Timur Zangiev, and helped the action without drowning out a single director's note.
Conductor Timur Zangiev and the orchestra under his direction were a separate, special joy. Amazing, thorough, emotional work
It is important that there were no rude denominations that kill the epic flow of the musical stream: grandeur and coloristic beauty, measure and harmony in the sound of the orchestra (under the baton of Timur Zangiev)…
