
Stage director & Live Action Designer
Ran Arthur Braun
Represented by
Representation
Opera Worldwide Exclusive, in collaboration with InterTalent Rights Group

Download Press Kit
Represented by
Representation
Download Press Kit
Riccardo Frizza, Conductor
Keith Warner, Stage Director
Riccardo Frizza, Conductor
Keith Warner, Stage Director
Riccardo Frizza, Conductor
Keith Warner, Stage Director
Timur Zangiev, Conductor
Dmitri Tcherniakov, Stage Director
Timur Zangiev, Conductor
Dmitri Tcherniakov, Stage Director
Timur Zangiev, Conductor
Dmitri Tcherniakov, Stage Director
As Fight Director: Sadko at Bolshoi Theatre, Parsifal at Wiener Staatsoper, Otello at Liceu Opera Barcelona, King Lear at The Grange Festival.
As Stunt Coordinator & Action Designer: La Fanciulla del West at Staatsoper Berlin, Turandot at Oper im Steinbruch St. Margarethen.
As Live Action Designer: Carmen at Salzburg Festival, Aida, Don Quichotte, Carmen, Turandot, The Magic Flute, Hamlet among others at Bregenz Festival, Les Troyens, Lady Macbeth of Metsenk, Snow Maiden at Opera de Paris, La forza del destino at Semperoper Dresden, Prince Igor, A Florentine Tragedy, Legende, Il combattimento di Tancredi e Clorinda, La Boheme at Dutch National Opera, Carmen at Festival d'Aix-en-Provence, Rigoletto at Korean National Opera, The Maid of Orleans, Egmont at Theater an der Wien, The Love for Three Oranges at Philadelphia Opera, Peter Pan, Don Carlos at Stuttgart Opera, Peter Pan at Welsh National Opera , Royal Opera House and Komische Oper Berlin, Solar at The Linzer Klangwolke, A Midsummer Night's Dream at Deutsche Oper Berlin, La Fanciulla del West at NCPA Opera Beijing, Betrothal in a Monastery at Staatsoper Berlin, Otello, Miss Fortune, Wasp Factory at Royal Opera House Covent Garden, Alcina, Macbeth, Otello, Lohengrin at The Royal Danish Opera Copenhagen, Il Corsaro, Nabucco at Palau de les Arts Valencia, Dream of the Red Chamber - A San Francisco Opera Production, on Tour in China, The Tales of Hoffman at La Monnaie De Munt.
As Stage Director: Trans Maghreb at Bregenz Festival, Elisir d'amore, L'enfant et sortilege at Teatr Wielki Poznan, Cyberiada at Teatr Wielki Poznan and Teatr Wielki Warsaw, The Seasons, The Creation at Birgitta Festival Talliin, La Boheme at Estonian National Opera, Izidora Zebeljan's Two Heads and a Girl at Accademia Musicale Chigiana Sienna & Bemus Festival.
Ran Arthur Braun has over 250 credits worldwide, including a 17 year relationship with the Bregenz Festival. Since 2017 he is a member of Team Dmitri Tcherniakov.
Solar
Klangwolke Festival
Solar
Klangwolke Festival
Christian Jost - Egmont
Theater an Der Wien
Christian Jost - Egmont
Theater an Der Wien
Black : White - Abstract Action
Black : White - Abstract Action
Peter Herbert - Trans Maghreb - Interactive Opera
Bregenzer Festspiele
Peter Herbert - Trans Maghreb - Interactive Opera
Bregenzer Festspiele
Donizetti - L'elisir d'amore
Teatr Wielki Poznan
Donizetti - L'elisir d'amore
Teatr Wielki Poznan
The (Festival's) High Point was, in the hands of the Israeli-born director Ran Arthur Braun. The Experience was Fantastic ! The Director's intention was to create a Universal view and experience the totality, in which, while listening and looking at the same time, the person feels his own smallness, but also exaltation of existence....Large scale production, with 100 people on stage (Tallinn Chamber Orchestra, conducted by Risto Joost, the Latvian State Choir, soloists....Stunt Performers.....)....Focused on illusions and usage of all the senses, with music as the form of expression, together with movement, light - yes! .....It was a complete theatrical Sensation.
Haydn’s The Creation is rarely performed as a staged work, but this interpretation by the energetic Israeli director and choreographer Ran Arthur Braun made good use of the scaffolding behind and above the stage to turn the performing space into something resembling the illuminated margins of a Blake manuscript, or the crowded ceiling of a frescoed Baroque chapel. The three soloists were flown from wires, both above the stage and down the length of the auditorium, maintaining their composure (and their intonation) while being winched up and whizzed along on zip-wires. Their costumes included 18th-century coat and breeches, embellished with multicoloured wings, while other performers (drawn from street-players, Parkour experts, breakdancers and fire-jugglers) cavorted at floor level.
"Ran Arthur Braun was expected to add a pinch of madness in the opera. Like it was done a year ago, when he staged "Cyberiada" by K. Meyer....Now he proved that his imagination has no limit. Always based on physical theater and virtuosity".
"Ingenious and witty"