Soprano
Natasha Gesto
Represented by
Representation
Represented by
Representation
Nicholas Carter, Conductor
Barbora Horáková, Stage Director
Nicholas Carter, Conductor
Barbora Horáková, Stage Director
Clelia Cafiero, Conductor
Barbora Horáková, Stage Director
Nicholas Carter, Conductor
Barbora Horáková, Stage Director
Vitali Alekseenok, Conductor
Amon Miyamoto, Stage Director
Vitali Alekseenok, Conductor
Amon Miyamoto, Stage Director
Lenio in The Greek Passion, Musetta in La Bohème, Erste Dame in Die Zauberflöte, Kate Pinkerton in Madama Butterfly, Annina in La Traviata, Sandman in Hänsel und Gretel, and Alma in Humanoid at Semperoper Dresden, A milliner in Der Rosenkavalier and Deirdre in The Righteous at Santa Fe Opera, Strauss' Vier letzte Lieder at Alice Tully Hall, Brahms' Ein deutsches Requiem in Sydney, Nedda in Pagliacci at The CoOperative (Sydney, Australia), and scenes from Donizetti's Lucrezia Borgia and Gounod's Faust with International Meistersinger Academy (IMA)
Und ob die Wolke - Der Freischütz, Weber
Und ob die Wolke - Der Freischütz, Weber
Era desso il figlio mio - Lucrezia Borgia, Donizetti
Era desso il figlio mio - Lucrezia Borgia, Donizetti
Im Abendrot - Vier Letzte Lieder, Strauss
Im Abendrot - Vier Letzte Lieder, Strauss
Spring Water, Rachmaninoff
Spring Water, Rachmaninoff
...Gesto’s pure tone and full timbre echo Ingrid Haubold and Amanda Thane at the heights of their singing careers, and it is hard to imagine a better rendition of Stridono lassù than the one she gave last night.
Natasha Gesto was the unequivocal star of the show, and not just because she had the last bow. Her singing was warm, consistent and very beautiful as she explored the many colours available to her in the role of Nedda.
[Gesto] imbued...with Mozartean Purity
Gesto's vocal performance...was dramatically effective
Natasha Isabella Gesto, had an astonishingly warm and mature sound as the Governess and the right mix of naiveté and precocious authority to remind us all just how young this woman is.