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Soprano
Caterina Marchesini
Represented by
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Upcoming Past
Aug 2025
3.
21:00
21:00
Pablo Mielgo, Conductor
concert version
May 2026
3.
19:30
19:30
Alevtina Ioffe, Conductor
Julia Lwowski, Stage Director
May 2026
5.
19:30
19:30
Alevtina Ioffe, Conductor
Julia Lwowski, Stage Director
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Jun 2026
9.
19:30
19:30
Alevtina Ioffe, Conductor
Julia Lwowski, Stage Director
May 2026
24.
18:00
18:00
Alevtina Ioffe, Conductor
Julia Lwowski, Stage Director
May 2026
12.
19:30
19:30
Alevtina Ioffe, Conductor
Julia Lwowski, Stage Director
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Biography Highlights
Recent & Upcoming
Leonora in a new production of La Forza del Destino with Buenen Bern and at Teatro Comunale di Bologna, Lina Stiffelio at Teatro Filarmonico di Verona, Mimi La boheme with Teatro Sociale di Rovigo and Theater Kiel, Rosalinde Die Fledermaus at Opera Ballet Vlaanderen in Antwerp and Opera Ghent, Liu Turandot at Teatro Verdi di Trieste, debuts in L'elisir d'amore with AsLiCo at the Royal Opera House in Muscat, in Treviso and Cortina, Beethoven's 9th Teatro Verdi di Trieste, Giselda I Lombardi alla prima crociata at Teatro Regio in Parma, the DEBUT 2022 Gala Concert with the Philharmonisches Orchester Würzburg at the Tauber Philharmonie in Weikersheim, the SWR Junge Opernstars 2023 concert with the Deutsche Radio Philharmonie conducted by Valentin Uryupin, Verdi Requiem, Suor Angelica, Donna Anna Don Giovanni at Teatro Ristori di Verona, Amelia Un Ballo in Maschera at Teatro Verdi di Busseto (Festival Verdi 2024).
Portraits
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Duetto Stiffelio/Lina - Stiffelio, G. Verdi - Caterina Marchesini, Luciano Ganci
Duetto Stiffelio/Lina - Stiffelio, G. Verdi - Caterina Marchesini, Luciano Ganci
Stiffelio: Ah dagli scanni eterei - Giuseppe Verdi
Stiffelio: Ah dagli scanni eterei - Giuseppe Verdi
La forza del destino: la Vergine degli angeli - G. Verdi
La forza del destino: la Vergine degli angeli - G. Verdi
La forza del destino: Me pellegrina ed orfana - G. Verdi
La forza del destino: Me pellegrina ed orfana - G. Verdi
Reviews & Press
Teatro Comunale di Bologna - La locandina - Donna Leonora
Tutto bene invece per la venticinquenne Caterina Marchesini, poco più che debuttante, sostituta d’emergenza cimentatasi in una grande parte il 21 giugno scorso con esiti più che soddisfacenti. Ho già accennato all’altra protagonista del 21 giugno, una Caterina Marchesini giovane di età e giovanissima di carriera arrivata quasi all’ultimo momento al salvataggio della recita. Più che comprensibilmente cauta all’inizio, si è distinta per ragguardevoli mezzi vocali, sicurezza di emissione e professionismo a prova di bomba nel delineare una figura di donna fragile, tormentata. Applaudita calorosamente sia dopo le due arie sia alle uscite finali si candida ad essere tra le promesse più interessanti tra le ultime leve.
- Silvano Capecchi , OperaClick
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Teatro Filarmonico di Verona - Stiffelio - Lina
Moto interessante Caterina Marchesini nel ruolo di Lina; voce fresca e duttile, evita saggiamente di forzare e i suoi momenti migliori sono stati l’aria del II atto e il duetto Lina/Stiffelio del III atto.
- Alessio Solina , Opera Libera
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Ottima anche Caterina Marchesini come Lina, forte di una voce sicura e di una buona aderenza al personaggio.
- Raffaello Malesci , operateatro.it
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Despite the relative weakness of the work, Lina is a luminous spinto role that some see as a precursor to the two Leonoras (Il trovatore, La forza del destino). Caterina Marchesini was a revelation in the role. This twenty-six-year-old soprano has a distinct and beautiful voice, with superlative technique and ample charisma. Her Act I aria, the prayer “A te ascenda, o Dio clemente” was delightfully moving, managing to convey Lina’s torment. Her passionate Act II scene “Ah, dagli scanni eterei”, in typical bel canto style, was masterfully interpreted.
- Ossama el Naggar , concertonet.com
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Teatro Verdi di Busseto - Un ballo in maschera - Amelia
Caterina Marchesini, with her slightly metallic timbre but solid technique, brought intensity to the role of Amelia.
- Antonio Somma, Eugène Scribe , L’OPERA OGGI
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Caterina Marchesini, as Amelia, has excellent technique and a flowing voice; she does everything as written and even respects the breathing marks, proving outstanding in Orrido campo and extremely confident in reaching the high notes.
- Mattia Marino Merlo , il trillo parlante
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Teatro Verdi di Trieste - Turandot - Liù
The one who truly earned her well-deserved success was Caterina Marchesini as Liù, delivering a performance that grew in strength: …it was in the death scene that the soprano from Vicenza played her best cards, with a supple, rounded voice and excellent dramatic identification with the character.
- Martino Pinali , Opera Click
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Opera Vlaanderen - Die Fledermaus - Rosalinde
Caterina Marchesini captivates as Rosalinde with her lovely stage presence—both affected and nonchalant—which suits the role well, along with her rich voice and expressive singing.
- Sébastien Foucart , ConcertoNet.com
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Caterina Marchesini’s Rosalinde benefits from a wide, well-controlled voice, with ample middle range, firmly grounded low notes, and a magnificent sense of nuance that makes the Csárdás "Klänge der Heimat" a true delight.
- Tania Bracq , Forum Opera
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Festival Verdi - Un Ballo in Maschera - Amelia
Caterina Marchesini is Amelia, with fire-red nails and a severe dress; her voice is full, well-colored, and steady throughout the opera; her vocal delivery is controlled and attentive to expressing the most intimate nuances of a character that the staging might otherwise risk overshadowing.
- Francesco Rapaccioni , Wanderer
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Caterina Marchesini’s Amelia, who succeeds well in mastering a role that undoubtedly requires great maturity.
The Blogartpost
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Caterina Marchesini, as Amelia, has excellent technique and a flowing voice; she does everything as written and even respects the breathing marks, proving outstanding in Orrido campo and extremely confident in reaching the high notes.
