
Soprano
Latonia Moore
Represented by
Samuel Levine
sam@tact4art.com
+49 179 4114 598
Olivier Lallouette
lallouette@tact4art.com
+31 633 04 24 94
Ekaterina Yazykova
ekaterina@tact4art.com
Representation
Represented by
Representation
Roberto Minczuk, Conductor
Grace Passô, Stage Director
Roberto Minczuk, Conductor
Grace Passô, Stage Director
Roberto Minczuk, Conductor
Grace Passô, Stage Director
Franz Welser-Möst, Conductor
Franz Welser-Möst, Conductor
Franz Welser-Möst, Conductor
Title role Jenůfa with the Cleveland Orchestra under the baton of Franz Welser-Möst, Bess Porgy and Bess at the Theatro Municipal de São Paulo, Serena Porgy and Bess for Houston Grand Opera, The Metropolitan Opera, Sister Rose Dead Man Walking and Billie Fire Shut Up in my Bones at The Metropolitan Opera (Grammy Award).
Aida at The Metropolitan Opera, the Royal Ballet and Opera, Opernhaus Zürich, Opera Australia, Teatro Colón Buenos Aires, New National Theatre Tokyo, and Chicago Symphony Orchestra (James Conlon); Madama Butterfly at The Metropolitan Opera, Staatsoper Hamburg, and Semperoper Dresden, Liù Turandot at the Royal Ballet and Opera; Tosca and Elisabeth Don Carlo with Opera Australia, Mimì La bohème in Dresden, Micaëla Carmen, Elvira Ernani, and Lucrezia I due Foscari in Bilbao.
George Walker’s Lilacs with the Cleveland Orchestra (Franz Welser-Möst) and Boston Symphony Orchestra (Andris Nelsons), Verdi’s Messa da Requiem with BBC Proms, Seattle Symphony, Mahler’s Symphony No. 8 with Boston Symphony, Bruckner Te Deum with Orchestre Métropolitain Montreal, World Premiere of Anthony Davis’ Broken in Parts with Cincinnati Symphony.
Three Grammy awards for best opera recordings with The Metropolitan Opera (Champion, Fire Shut up in my Bones, Porgy and Bess); Maria Callas Debut Artist of the Year award from Dallas Opera
Metropolitan Opera || Porgy and Bess 'My man's gone now'
Metropolitan Opera || Porgy and Bess 'My man's gone now'
Mefistofele 'L'altra notte'
Mefistofele 'L'altra notte'
Latonia Moore dominated the second act as Musetta. Her unusually strong, yet musical voice made her a success as Aida in San Diego and at the Met. How readily she changed from tragic Queen to bawdy nightclub singer may have surprised many in the audience. She played the role with uninhibited comedic flair, while still doing justice to the well-known "Musetta's Waltz" in which she confidently praises her own seductive power.
Another standout was Latonia Moore as the fiery and flirtatious singer Musetta. San Diego Opera audiences are accustomed to seeing Moore in darker roles, and this allowed her to comically cut loose.