"... the ideal mélange of metal and velvet in her timbre, authentically Italianate in style" - The Opera Critic
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Valery Gergiev, Conductor
Valery Gergiev, Conductor
Yannis Kokkos, Stage Director
Gurgen Petrosyan, Conductor
Arnaud Bernard, Stage Director
North American debut at the Los Angeles Opera as Venus Tannhäuser. Eboli Don Carlo, Carmen, Amneris Aida, Maddalena Rigoletto at the Australian Opera Sydney, Deutsche Oper Berlin, and the Metropolitan Opera New York.
Debut as Carmen at the Deutsche Oper Berlin, the title role Carmen at the Bolshoi Theater Moscow, Polina Pique Dame at the New National Theatre Tokyo and the Bolshoi Theater; Brangäne Tristan und Isolde at The Philharmonie im Gasteig Münich, and Olga Eugene Onegin at the Teatro dell’Opera di Roma. Brangäne Tristan und Isolde at the Elbphilharmonie Hamburg, Festival Hall Baden-Baden, Verdi Requiem at the Opernhaus Zürich, Madrid and in Barcelona. Romeo in Roméo et Juliette at the Festival Berlioz La Côte-Saint-André Old. Debut as Federica in Luisa Miller, as Kundry in Parsifal at the Philharmonie de Paris. At the Mariinsky Theater Amneris in Aida, Eboli in Don Carlo, Princess de Bouillon in Adriana Lecouvreur, Didon in Les Troyens, Dalila in Samson et Dalila, Venus in Tannhäuser, Kundry in Parsifal, and Clara d’Almanza in Betrothal in a Monastery. With Gennadi Rozhdestvensky Moskva Cheremushky, James Conlon in Le Rossignol, Renard with EMI label, Fabio Luisi in La Damnation de Faust by Berlioz and Verdi Requiem. A solo recital at the renowned De Dolen in Rotterdam.
Les Troyens
Televised Concert for Medici.tv - "Je vais mourir ... Adieu, Fière Cite"
Les Troyens
Televised Concert for Medici.tv - "Je vais mourir ... Adieu, Fière Cite"
Werther
Charlotte's Aria
Werther
Charlotte's Aria
Von edlem Glanz und gesanglichem Adel war Yulia Matochkinas Federica, die Herzogin von Ostheim
Yulia Matochkina als Gräfin Frederica ließ mit einer wunderbaren Mezzostimme aufhorchen.
Yulia Matochkina’s imposing Frederica brought the ideal mélange of metal and velvet in her timbre, authentically Italianate in style, and in fact slightly reminiscent of the young Fiorenza Cossotto - which is a compliment indeed.
Exceptionnelle Kundry de Yulia Matochkina avec Gergiev à Paris. La distribution vocale est (...) irréprochable, dominée par l’exceptionnelle prestation de Yulia Matochkina dans le rôle de Kundry. Tantôt guerrière, séductrice ou mystique, le timbre est rond, l’émission puissante sans vibrato, les aigus dardés, les graves abyssaux.
ottima anche la prestazione nei panni di Olga della connazionale Yulia Matochkina, autentica voce di contralto dalle note gravi potenti e tornite, gradevoli da ascoltare
Yulia Matochkina sang eine Brangäne von stimmschöner Eindringlichkeit und Poesie. Auf ihre sonore Tiefe schloss sich eine prächtige Mittellage an, die in eine leuchtende, glühende und ungemein klangschöne Höhe gipfelte.
