"... indisputable vocal stature. The timbre remains always beautiful, the gesture broad and generous, and the treble always strikes by its arrogant ease." - Alexandre, Classique News
Represented by
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Christian Knapp, Conductor
Giorgio Barberio Corsetti, Stage Director
Valery Gergiev, Conductor
Alexei Stepanyuk, Stage Director
Valery Gergiev, Conductor
Valery Gergiev and George Tsypin , Stage Director
Valery Gergiev, Conductor
Vladislav Pazi, Stage Director
Valery Gergiev, Conductor
Alexei Stepanyuk, Stage Director
Isabelle Partiot-Pieri, Stage Director
At the Oper Köln the title role Rigoletto. As Tonio I Pagliacci, Onegin, Valentin Faust, Amonsaro Aida, Renato Don Carlo, High Priest of Dagon Samson et Dalila at Mariinsky Theater. At Basel and Deutsche Oper Berlin as Guy de Montfort Les vepres siciliennes and the main character Rigoletto.
Debut at the Dutch National Opera I Pagliacci/Cavalleria Rusticana as Tonio and Alfio, also at the Grand Théâtre de Genève and Opernhaus Zürich. The title role Prince Igor at the Bolshoi Theatre Moscow, Stankar Stiffelio at the Bilbao Opera, Dunois concert version Tchaikovsky's Orleanskaya Deva at the Grand Théâtre de Genève. At Deutsche Oper Berlin as Gérard Andrea Chénier, Tomsky Pique Dame*, Renato Un ballo in maschera. At Las Palmas Opera as Ford Falstaff. At Opernhaus Zürich as Enrico Lucia di Lammermoor, Gergiev Festival with Rotterdam Philharmonic Orchestra Prokofiev’s Ivan The Terrible, Glyndebourne Festival as Ford Falstaff, Royal Danish Opera Copenhagen, Opernhaus Zürich, Mariinsky Theater and Tchaikovsky Symphony Orchestra Moscow as Tomsky Pique Dame. Title role Nabucco at Grand Théâtre de Genève. Debut at the Bayerische Staatsoper as Belcore L'elisir d'amore. At Mariinsky Theatre as Germont La traviata, Renato Un Ballo in Maschera, Ford Falstaff, Boccanegra Simon Boccanegra, Igor Prince Igor, Alberich Das Rheingold, Di Luna Il Trovatore, Escamillo Carmen, and Michonnet Adriana Lecouvreur. [*- cancelled]
La Traviata
Mariinsky Theatre - Germont
La Traviata
Mariinsky Theatre - Germont
Baritone Roman Burdenko, who sang the part of Carlo Gérard, has a remarkable voice in terms both of quality and volume.
Belle prestation également de Roman Burdenko en Chtchelkalov : son monologue à la foule dans la scène initiale (sans doute une des plus belles pages de la partition) est particulièrement réussi, très mélancolique, avec une force contenue émouvante, un grand moment de la soirée. Magnifique interprétation.
Le baryton-basse Roman Burdenko honore la partie de Chtchelkalov d’une inflexion évidente et noble, d’une autorité naturelle et d’un art indéniable de la nuance
Le baryton Roman Burdenko dispose d'une voix assurée, adroitement projetée et immédiatement identifiable
From the first lines of the prologue, sung with dash and finesse by baritone Roman Burdenko, he gets you involved with the characters, all superbly acted.
Bariton Roman Burdenko, in zwarte casual kleding, zong deze kleine, maar belangrijke rol met genuanceerde expressie over echte en theatrale tranen, over menselijke emoties uitgebeeld door acteurs. Begrijpelijk dat de bonkig uitgedoste Tonio zich wilde storten op deze verleidelijke vrouw. Roman Burdenko zong en acteerde met lekkere ruige expressie.
Ook bariton Roman Burdenko is sterk, gedeeltelijk als invaller, in een driedubbelrol, al direct als de Proloog die waarschuwt dat we mensen van vlees en bloed te zien zullen krijgen, wat je hier heel dubbelzinnig moet opvatten, daarna als de mismaakte reus Tonio in Pagliacci en als de ongelukkige bedrogen Alfio in Cavalleria.
