Olga Syniakova

Biography Highlights

Mussorgsky's Songs and Dances of Death at the stage of Opéra National de Bordeaux, Charlotte Werther with Vigo Opera, Stéphano Roméo et Juliette with Ópera de Oviedo, Adalgisa Norma at Opéra National de Bordeaux, the title role in Carmen at Òpera a Catalunya, appearances at Ópera de Oviedo, debut at the Teatro Real Madrid as Zofia in Moniuszko's Halka and at Opéra National de Lyon as Polina Pique Dame, return to Opera de las Palmas as Fidalma Il matrimonio segreto.
 
 

Gluck/Berlioz' Orphee at the Zurich Opera, Varvara Kat'a Kabanova at the Royal Danish Opera Copenhagen, Polina Pique Dame La Scala Milan, Cherubino Le Nozze di Figaro in her Seattle Opera debut, Fenena Nabucco at the Opera Oviedo, Giuletta Les contes d'Hoffmann at the Opera de Las Palmas. Alisa Lucia di Lammermoor, Contessa di Ceprano Rigoletto, Anfinomo Il Ritorno dÙlisse in Patria, Laura in Tchaikovsky’s Iolanta, Ernesto Il Monde de la Luna, Second Lady Die Zauberflöte at the Palau de les Arts Valencia. Lola Cavalleria Rusticana, Cherubino Le Nozze di Figaro, Bizet’s Carmen as a former soloist of the Dnipro Opera and Ballet Theater.

Mezzo soloist in Verdi's Requiem under M. Poschner with the Brucknerhaus Orchestra; Orlofsky Die Fledermaus at the Palau de les Arts Valencia under P. Domingo, a mezzo soloist in Pergolesi’s Stabat Mater,  Mezzo soloist in Rossini’s Petite messe solennelle at the Musikfest Bremen; Teatro Real Madrid solo program “Rossini y España”  under the baton of Lucía Marín; Orphèe in Gluck’s Orphèe eu Euridice with Filharmonia de Galicia under P. Daniel.

Grand Prix and Audience Choice Prize VIII Concurso Internacional de Canto Alfredo Kraus; 58 Concurso de Canto Tenor Viñas 2021: 2nd Prize, Premio Extraordinario Teatro Real de Madrid, Premio Extraordinario, ofrecido por el Festival Castell de Peralada; 27th International Opera Competition of Clermont-Ferrand Winner, II Concurso de Canto " Compostela Lírica” 2019: 1st Prize II Concurso Nacional de Canto "Ciudad de Albacete” 2019: 2nd Prize International Competition of Belcanto Vincenzo Bellini 2019: The best voice of competition, Choice of Jury, Choice of public. Concurso Internacional Lírico Alicante 2019: Special prize of Opéra de Massy; 52ème Concours International de Chant, Toulouse 2019.
 

Reviews & Press

Bellini, V. - Norma - Adalgisa

Le meilleur exemple en cela est l’Adalgisa d’Olga Syniakova, au timbre lumineux et délicatement vibré. Outre les qualités de souplesse et d'élasticité qui conduisent la ligne vocale d’un registre à l’autre sans difficulté apparente, l’intensité dramatique de la mezzo-soprano ukrainienne s’élève au même niveau que celle de sa partenaire. Dans les deux duos à l’écriture virtuose, tant sur le plan harmonique que purement vocal, les amies chantent comme elles jouent : main dans la main, dans un bel élan de sororité qui inonde la salle et conduit à des applaudissements soutenus.

 

odb-opera

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Tchaikovsky - Pique Dame - Polina

Olga Syniakova incarne Pauline de sa voix de mezzo-alto sombre, large, longue et superbement projetée. Elle dégage une sorte de perpétuelle joie qui contraste avec Lisa mais elle incarne aussi avec efficacité Milavzor, l’amant de la bergère dans l’intermède. La voix y déploie alors son velouté intimiste et le souhait pour le public de suivre cette artiste.

 

- Joël Heuillon , Olyrix

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Polina, Milovzor, as well as the Governess, were sung by the wonderful mezzo Olga Syniakova. Olga has a very beautiful mezzo-soprano voice, she is a wonderful actress and is memorable in all her scenes. By the way, I can’t help but note how wonderfully the voices merge in the duet of Lisa and Polina, with what subtle nuances they decorated it, making it one of the most exquisite moments in the performance.

 

- classicalmusicnews

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Olga Syniakova who sings Daphnis in the pastoral but especially Polina has a very beautiful mezzo voice, very homogeneous, with a velvety timbre, with varied colors and which very effectively asserts the character.

 

- Guy Cherqui , Wander

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La Scala Milan - Pique Dame - Polina

"Excellent performance by Olga Syniakova, who in addition to the part of Milovzor [...] replaced the indisposed [Polina] at the last moment." 

 

- Camilla Simoncini , www.operateatro.it

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Verdi's Requiem Brucknerhaus Orchestra

“The mezzo-soprano Olga Syniakova comes from Ukraine. Very serious, pale and sad, she sings her way into the hearts. Determined, with secure high notes and a shatteringly beautiful piano, she masters all registers. Sobbing, she succeeds in the Lacrimosa, as if she wanted to call for peace. At the end, understandable tears.”

 

- Carola Baumann Moritz , PNP

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Un miracle appelé à se reproduire

Teresa, the owner of the mill, [...] is entrusted to Olga Syniakova, a beautiful mezzo with a full, round voice. Her recitals, her "Piano amici", where she defends her ward, as well as her participation in the ensembles, call for nothing but praise. 

 

- Yvan Beuvard , forumopera.com

Mozart, W. A. - Le nozze di Figaro - Cherubino

Syniakova as the amorous teenage boy Cherubino, provides one of the most convincing “trouser roles” [...] I’ve ever seen.

 

- Gavin Borchert , Seattle TImes

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Offenbach, J. - Les Contes d ‘Hoffmann - Giulietta

Olga Syniakova offered a Giulietta full of dramatic subtleties: conniving and confident, vocally she showed robustness and density in a strong central register and a singing full of nuances

 

- Agustín Arocha , Opera Actual

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Tenor Viñas Concert. In good hands.

Olga Syniakova [...], a versatile mezzo-soprano with a perfectly developed center, dramatic facility and enough temperament to underpin complex characters, such as her Romeo in Bellini ("Se Romeo t'uccise un fi glio").

 

- Sixtus Beckmesser , Beckmesser

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Stage Highlights

At a glance: Olga Syniakova: news & press

2022-05-28

Teatro Real Madrid announces season 22/23

2022-03-15

Olga Syniakova to appear as Polina at Teatro alla Scala 

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