
Tenor
Oleg Dolgov
Represented by
Represented by
Tugan Sokhiev, Conductor
Anton Grishanin, Conductor
Alexei Borodin, Stage Director
Anton Grishanin, Conductor
Alexei Borodin, Stage Director
Alexander Soloviev, Conductor
Sergey Zhenovach, Stage Director
Sergei Lady Macbeth of Mtsensk on tour at Philharmonie de Paris, Herman Pique Dame, Don José Carmen, Vaudémont Iolanta, Prince in Dvořák’s Rusalka, Riccardo Un ballo in maschera, Andrey Mazeppa all for the Bolshoi Theatre Moscow, Paolo Malatesta in Rachmaninoff’s Francesca da Rimini at Concertgebouw Amsterdam, Herman Pique Dame for San Carlo Naples, Opéra Nice and Opéra de Toulon, Andrey Mazeppa in concerts in Paris* and Toulouse, Rachmaninoff’s The Bells* at Lisboa Fundação Calouste Gulbenkian, Сoncert Festival MITO Settembre Musica Torino & Milano and with the Belgian National Orchestra [*- cancelled]
Don Jose Carmen for New National Theatre Tokyo, Vaudémont Iolanta for National Opera Prague, Savonlinna Festival and in concert in Tokyo; Young Gypsy Aleko, Dante and Paolo Malatesta Francesca da Rimini in concert for Scottish Opera, The Bells with Symphonieorchester des Bayerischen Rundfunks and for BBC Proms London, title part Semyon Kotko at Concertgebouw Amsterdam, Tchaikovsky’s Cherevichki for Teatro alla Scala Milano, Shostakovich’s From Jewish Folk Poetry for Rostropovich Festival, Prince Yuriy The Enchantress, King Charles VII The Maid of Orleans, Lykov The Tsar’s Bride, The Pretender Boris Godunov all for Bolshoi Theatre Moscow.
The Bells
Bavarian Radio Choir and Symphony Orchestra conducted by Maris Jansons
The Bells
Bavarian Radio Choir and Symphony Orchestra conducted by Maris Jansons
Oleg Dolgov (...) impersona un Herman fremente e prezioso, giocato sia sulla forza dell’emissione, sia sulle sottigliezze psicologiche, dosando a perfezione lo squillo e il tratto eroico, riuscendo alla fine a risultare corretto e convincente
The young Gypsy of Dolgov was wonderful in his romance
La voix saine d’Oleg Dolgov possède toute la vaillance nécessaire au héros, mais sans basculer dans l’hystérie.
Du côté des hommes, Oleg Dolgov, idéale ligne de chant et belle projection, campe avec aisance un Hermann froidement réaliste,