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Tenor
Maxim Paster
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
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Upcoming Past
Oct
23.
19:00
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Simone Young, Conductor
Claus Guth, Stage Director
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Oct
20.
19:00
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Simone Young, Conductor
Claus Guth, Stage Director
Oct
14.
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19:00
Simone Young, Conductor
Claus Guth, Stage Director
Oct
9.
18:00
18:00
Simone Young, Conductor
Claus Guth, Stage Director
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Biography Highlights
Future Engagements
Return to Staatsoper Berlin as Scrivener Khovanshchina*. At the Metropolitan opera and New National Theater Tokyo.
Past Engagements
Debut with the Salzburg Festival as Zinoviy Borisovich Lady Macbeth of Mtsensk under the direction of M.Jansons, at the Teatro San Carlo, at the Opéra national de Paris Bastille as Tsar Berendey The Snow Maiden, Shuisky Boris Godunov at the Bayerische Staatsoper München, Opéra national de Paris Bastille under V. Jurowski, Göteborgs Symfoniker with Kent Nagano and Bolshoi Theatre Moscow. Debut with the London Philharmonic as Loge Das Rheingold, Mephistopheles The Fiery Angel at the Teatro dell'Opera di Roma. As Scrivener Khovanshchina at Milan’s La Scala, as Therapeuten Betrothal in a Monastery at the Staatsoper Berlin.
Mephistopheles The Fiery Angel with Bolshoi Theatre, Savonlinna Opera Festival, Teatro Municipal de Santiago de Chile, Semperoper Dresden, and Teatro Comunale di Bologna, Walter von der Vogelweide Tannhäuser for Théâtre du Capitole Toulouse, Mephistopheles The Fiery Angel, Pong Turandot, Truffaldino The Love for Three Oranges, and Remendado Carmen with Bolshoi Theatre Moscow, Zinoviy Borisovich Lady Macbeth of Mtsensk at the Rostropovich Festival Moscow.
On the concert platform, Paster could be heard in Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at the Teatro Lirico di Cagliari under Alexander Vedernikov, Janacek's Missa Glagolitica for Bolshoi Theatre Moscow with Jiří Bělohlávek and at Palau de les Arts Valencia with Tomas Netopil, and Stravinsky's The Wedding at Gewandhaus Leipzig.
Concert Engagements
Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at Teatro Lirico di Cagliari, Janacek's Missa Glagolitica at Bolshoi Theatre Moscow, Palau de les Arts Valencia, Stravinsky's The Wedding at Gewandhaus Leipzig. [*- cancelled]
The Fiery Angel
Mephistophelles
The Fiery Angel
Mephistophelles
Sadko
Indian Guest
Sadko
Indian Guest
Boris Godunov
Shuisky
Boris Godunov
Shuisky
Discography
Reviews & Press
Roma Teatro dell Opera - Prokofiev - The Fiery Angel - Mephistopheles
Maxim Paster als Mephistopheles ist ergreifend schrecklich und verführerisch zugleich.
- Thomas Migge , Klassik Info
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Mefistofele di Maxim Paster, strepitoso, penetrante hohen Tenornel solco della tradizione istrionica – quando non isterica – d’inizio secolo (si pensi a Herodes nella Salome di Strauss o al Capitano nel Wozzeck di Berg, estreme propaggini del Mime wagneriano).
- Giuseppe Montemagno , Connessi all'Opera
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Maxim Paster has flair and panache as Mephistopheles and fills the scene with his presence both physically and vocally.
- Renato Verga , Bachtrack
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Milano La Scala - Mussorgsky - Khovanshchina - Scrivener
El siempre remunerativo y difícil papel del escriba tocó al muy correcto Paster.
- Jorge Binaghi , Mundo Clasico
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In Act one, the tenor, Maxim Paster, gave a strong performance in the role of the Scribe. Menaced by Shaklovity and bullied by the crowd, Paster produced a convincing performance of a man trying to maintain his dignity whilst under stress. His voice was secure, with a pleasing timbre. He sang with a noble air, and projected the voice firmly.
- Alan Neilson , OperaWire
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On retiendra aussi la belle prestation de Maxim Paster en clerc
- Claudio Poloni , ConcertoNet
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