
Tenor
Maxim Paster
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack
Represented by
Simone Young, Conductor
Claus Guth, Stage Director
Simone Young, Conductor
Claus Guth, Stage Director
Simone Young, Conductor
Claus Guth, Stage Director
Return to Staatsoper Berlin as Scrivener Khovanshchina*. At the Metropolitan opera and New National Theater Tokyo.
Debut with the Salzburg Festival as Zinoviy Borisovich Lady Macbeth of Mtsensk under the direction of M.Jansons, at the Teatro San Carlo, at the Opéra national de Paris Bastille as Tsar Berendey The Snow Maiden, Shuisky Boris Godunov at the Bayerische Staatsoper München, Opéra national de Paris Bastille under V. Jurowski, Göteborgs Symfoniker with Kent Nagano and Bolshoi Theatre Moscow. Debut with the London Philharmonic as Loge Das Rheingold, Mephistopheles The Fiery Angel at the Teatro dell'Opera di Roma. As Scrivener Khovanshchina at Milan’s La Scala, as Therapeuten Betrothal in a Monastery at the Staatsoper Berlin.
Mephistopheles The Fiery Angel with Bolshoi Theatre, Savonlinna Opera Festival, Teatro Municipal de Santiago de Chile, Semperoper Dresden, and Teatro Comunale di Bologna, Walter von der Vogelweide Tannhäuser for Théâtre du Capitole Toulouse, Mephistopheles The Fiery Angel, Pong Turandot, Truffaldino The Love for Three Oranges, and Remendado Carmen with Bolshoi Theatre Moscow, Zinoviy Borisovich Lady Macbeth of Mtsensk at the Rostropovich Festival Moscow.
On the concert platform, Paster could be heard in Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at the Teatro Lirico di Cagliari under Alexander Vedernikov, Janacek's Missa Glagolitica for Bolshoi Theatre Moscow with Jiří Bělohlávek and at Palau de les Arts Valencia with Tomas Netopil, and Stravinsky's The Wedding at Gewandhaus Leipzig.
Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at Teatro Lirico di Cagliari, Janacek's Missa Glagolitica at Bolshoi Theatre Moscow, Palau de les Arts Valencia, Stravinsky's The Wedding at Gewandhaus Leipzig. [*- cancelled]
The Fiery Angel
Mephistophelles
The Fiery Angel
Mephistophelles
Sadko
Indian Guest
Sadko
Indian Guest
Boris Godunov
Shuisky
Boris Godunov
Shuisky
Maxim Paster als Mephistopheles ist ergreifend schrecklich und verführerisch zugleich.
Mefistofele di Maxim Paster, strepitoso, penetrante hohen Tenornel solco della tradizione istrionica – quando non isterica – d’inizio secolo (si pensi a Herodes nella Salome di Strauss o al Capitano nel Wozzeck di Berg, estreme propaggini del Mime wagneriano).
Maxim Paster has flair and panache as Mephistopheles and fills the scene with his presence both physically and vocally.
El siempre remunerativo y difícil papel del escriba tocó al muy correcto Paster.
In Act one, the tenor, Maxim Paster, gave a strong performance in the role of the Scribe. Menaced by Shaklovity and bullied by the crowd, Paster produced a convincing performance of a man trying to maintain his dignity whilst under stress. His voice was secure, with a pleasing timbre. He sang with a noble air, and projected the voice firmly.
On retiendra aussi la belle prestation de Maxim Paster en clerc