Maxim Paster

Biography Highlights

Return to Staatsoper Berlin as Scrivener Khovanshchina*. At the Metropolitan opera and New National Theater Tokyo.   

Debut with the Salzburg Festival as Zinoviy Borisovich Lady Macbeth of Mtsensk under the direction of M.Jansons, at the Teatro San Carlo, at the Opéra national de Paris Bastille as Tsar Berendey The Snow Maiden, Shuisky Boris Godunov at the Bayerische Staatsoper München, Opéra national de Paris Bastille under V. Jurowski, Göteborgs Symfoniker with Kent Nagano and Bolshoi Theatre Moscow. Debut with the London Philharmonic as Loge Das Rheingold, Mephistopheles The Fiery Angel at the Teatro dell'Opera di Roma. As Scrivener Khovanshchina at Milan’s La Scala, as Therapeuten Betrothal in a Monastery at the Staatsoper Berlin.
Mephistopheles The Fiery Angel with Bolshoi Theatre, Savonlinna Opera Festival, Teatro Municipal de Santiago de Chile, Semperoper Dresden, and Teatro Comunale di Bologna, Walter von der Vogelweide Tannhäuser for Théâtre du Capitole Toulouse, Mephistopheles The Fiery Angel, Pong Turandot, Truffaldino The Love for Three Oranges, and Remendado Carmen with Bolshoi Theatre Moscow, Zinoviy Borisovich Lady Macbeth of Mtsensk at the Rostropovich Festival  Moscow.
On the concert platform, Paster could be heard in Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at the Teatro Lirico di Cagliari under  Alexander Vedernikov, Janacek's Missa Glagolitica for Bolshoi Theatre Moscow with Jiří Bělohlávek and at Palau de les Arts Valencia with Tomas Netopil,  and Stravinsky's The Wedding at Gewandhaus Leipzig.   

Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at Teatro Lirico di Cagliari, Janacek's Missa Glagolitica at Bolshoi Theatre Moscow, Palau de les Arts Valencia, Stravinsky's The Wedding at Gewandhaus Leipzig. [*- cancelled]