“dynamism personified, with a voice to match… She has a positively huge, attention-grabbing clarion voice”
- Mike Hardy - OperaWire
Represented by
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Tobias Wögerer, Conductor
Lotte de Beer, Stage Director
Tobias Wögerer, Conductor
Lotte de Beer, Stage Director
piano: Virginie Déjos
Tobias Wögerer, Conductor
Lotte de Beer, Stage Director
Ben Glassberg , Conductor
Lotte de Beer , Stage Director
Tobias Wögerer, Conductor
Lotte de Beer, Stage Director
Alise L’Ecume des jours at Opéra de Lille, Carmen, Killing Carmen, Prinz Orlofsky Die Fledermaus, Richard Die Piraten von Penzance, Nicklausse Les contes d'Hoffmann at Volksoper Wien.
La messaggiera Le lacrime di Eros, Makuba How Anansi Freed the Stories of the World, Petite Messe solennelle at the Dutch National Opera, Junon Platée, Gertrude Roméo et Juliette at Opernhaus Zürich, Ježibaba Rusalka at Staatsoper Stuttgart, Bersi Andrea Chénier at the Royal Ballet and Opera, Carmen, Frau Reich Die lustigen Weiber von Windsor, Suzy La rondine, Tisbe La Cenerentola, Iolanta, Vénus Orphée aux enfers, Dritte Dame Die Zauberflöte, Prinz Orlofsky Die Fledermaus at Volksoper Wien, Paola La Princesse de Trébizonde recording with Opera Rara, Proserpine Eurydice - Die Liebenden, solo recital at Festival de Sintra.
The first prize in the youth singing contest "Prima la Musica" in Austria; the press prize at the "IVC" contest of 's Hertogenbosch in 2018; the first prize - Nordfriesische Liedpreis at Husumer Liedkunst Wettbewerb 2019; Special prize at HansGabor Belvedere Competition 2019; Special prize of Viñas Competition 2022.
Fledermaus - Orlofsky - Ich lade gern mir Gäste ein
Fledermaus - Orlofsky - Ich lade gern mir Gäste ein
The Rake's Progress
International Voice Competition (IVC) in 's-Hertogenbosch - Baba's aria
The Rake's Progress
International Voice Competition (IVC) in 's-Hertogenbosch - Baba's aria
zongen trouwens ook nog mezzosopraan Katia Ledoux en tenor Zachary Wilder, ook zij zongen bijzonder goed
Mezzo-soprano Katia Ledoux as messenger, the messenger or storyteller, has a glowing power in her voice
Katia Ledoux, in the role of Bersi, Maddelena’s servant, was positively dynamism personified, with a voice to match. The French mezzo-soprano made her mark early in Act two, now a merveilleuse, where she sings of the Revolution. She has a positively huge, attention-grabbing clarion voice, and I suspect that she is destined for bigger and greater things.
Katia Ledoux gives notice of an impressive voice as Bersi
A rising star to watch out for with Katia Ledoux’s Bersi
Die Rolle von Juliettes treuer Gefährtin Gertrude war mit Katia Ledoux besetzt. Sie meisterte ihre Partie der wissenden Begleiterin, ebenfalls überzeugend.
French mezzo-soprano Katia Ledoux gave a strong performance as Gertrude, the nurse tending to Juliette and her troubles.
The role of Gertrude is rather small, but Katia Ledoux’s velvety mezzo didn’t fail to catch my attention in it. She also acted with great dignity.
Grossartig wird die pralle Schenkwirtin im Gasthaus an der litauischen Grenze von Katia Ledoux porträtiert. Ihre Darstellung ist umwerfend.
D’une merveilleuse présence maternelle, Katia Ledoux brosse une splendide scène de la Lettre.
Katia Ledoux displayed an attractive mezzo-soprano as the brothers’ mother Geneviève
De enige Franse zanger was Katia Ledoux (Geneviève), en met perfecte dictie sprong zij er in haar kleine rol echt uit.
