© Alexandra H'Art
Tenor
Giorgi Sturua
"...plangent, burgeoning heroic timbre" - The Sunday Times
Represented by
ARTIST OVERVIEW - ARTIST PROFILE
Artist Profile
BACK TO ARTISTS OVERVIEW
Upcoming Past
SHOW MORE
Nov
21.
19:00
19:00
Pedro-Pablo Prudencio, Conductor
Ramón López, Stage Director
Nov
18.
19:00
19:00
Pedro-Pablo Prudencio, Conductor
Ramón López, Stage Director
Nov
17.
19:00
19:00
Pedro-Pablo Prudencio, Conductor
Ramón López, Stage Director
SHOW MORE
Biography Highlights
Future Engagements
Debut at the Ópera Nacional de Chile Santiago as Pinkerton Madame Butterfly* and as Macduff Macbeth*. At Mikhailovsky Theatre St. Petersburg as Riccardo Un Ballo in Maschera, Alfredo La Traviata, Turiddu Cavaleria Rusticana, Vaudemont Iolanta, Cavaradossi Tosca. Don Carlo and Cavaradossi* for Wrocław Opera House
Past Engagements
At the Bolshoi Theater Moscow as Don Juan Dargomyzhsky's The Stone Guest and Vladimir Igorevich Prince Igor, at Bayerische Staatsoper as The Pretender in Boris Godunov*, at the Mikhailovsky’s Theater Riccardo Un Ballo in Maschera, Tiriddu Cavalleria Rusticana, at the Georgian National Opera in Tbilisi Abesalom in Paliashvili’s Abesalom and Eteri. Concerts in Nice, France in the title role in Rimsky-Korsakov's Sadko, as Vladimir Igorevich in Prince Igor at the Brucknerhaus in Linz, Austria, and as Sinodal in Rachmaninov's The Demon at the Queen Elizabeth Concert Hall in London. [*- cancelled]
Portraits
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
© Alexandra H'Art
The Bells
Rachmaninoff
The Bells
Rachmaninoff
Prince Igor
Bolshoi Opera Moscow - Vladimir Igorievich
Prince Igor
Bolshoi Opera Moscow - Vladimir Igorievich
The stone guest
Dargomyzhsky
The stone guest
Dargomyzhsky
The Demon
Prince Sinodal
The Demon
Prince Sinodal
Reviews & Press
Chelsea Opera Group - Rubinstein - Demon - Prince Sinodal
The young Georgian Giorgi Sturua gave as striking a performance as Kymach, with his plangent, burgeoning heroic timbre and eloquent savour of the Russian text.
