© Michel Nguyen
Tenor
Christophe Poncet de Solages
"Theatrical music making of this standard does not get more compelling." - Opera Wire
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Past
Mar 2021
16.
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Chloé Dufresne, Conductor
Olivier Fredj, Stage Director
Mar 2021
14.
15:00
15:00
Chloé Dufresne, Conductor
Olivier Fredj, Stage Director
Mar 2021
12.
20:00
20:00
Chloé Dufresne, Conductor
Olivier Fredj, Stage Director
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Biography Highlights
Current & Recent Seasons
Cactus in Offenbach’s Le voyage dans la lune for Montpellier, Tours, Marseille, Rouen, concert with Compiègne Théâtre Impérial; Chaplitsky and Master of Ceremonies Pique Dame at Opéra de Toulon and Opéra Nice, Narrator Zaitsev's letter at Rosendal Chamber Music Festival, Amelia’s Lover in Menotti’s Amelia goes to the ball for Opéra de Toulon, Lukash in Tchaikovsky's The Enchantress for Opéra de Lyon, Ajax I in Offenbach’s La Belle Hélène for Opera National de Lorraine, Remendado Carmen at Grange Festival, Rossini's Petite messe solennelle with Le Choeur de Chambre de Versailles, Orphée in Offenbach's Orphée aux Enfers, Ein Junger Diener in Elektra at the Philharmonie de Paris with Mikko Franck.
Other Engagements
Bach's Weihnachts-Oratorium as a guest soloist with the Orchestre Philharmonique de Radio France and Ein junger Hirt in Wagner's Tristan und Isolde at Salle Pleyel in Paris, Bert II in Zoran Juranic's opera Posljednji ljetni cvijet and Oedipus in Stravinsky's Oedipus Rex during the 2013 Armel Opera Festival in Szeged, Hungary, Chevalier de la Force in Poulenc's Dialogues des Carmélites, Mozart's Tamino and Belmonte, Monteverdi's and Haydn's Orfeo, as well as Pâris in Offenbach's La belle Hélène, Simpleton in Mussorgsky's Boris Godunov, Offenbach's Hoffmann and other works by Britten, Stravinsky, Mussorgsky, Janáček.
Portraits
© Michel Nguyen
© Michel Nguyen
© Michel Nguyen
© Michel Nguyen
© Michel Nguyen
© Michel Nguyen
Reviews & Press
Rosendal Chamber Music Festival - Alexander Vustin - Zaitsev's letter - Narrator
De las diversas obras de Aleksandr Vustin programadas, causó especial impresión la originalidad de La carta de Zaitsev, una carta real de un preso en la que denunciaba las condiciones inhumanas del sistema carcelario ruso. Leída y cantada frenéticamente por un tenor (magnífico Christophe Poncet de Solages), Vustin teje a su alrededor un denso acompañamiento instrumental para cuerda y percusión que avanza también sin resuello hasta la última nota
- Luis Gago , El Pais
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This performance was gifted by the recitation of the French tenor Christophe Poncet de Solages. Poncet de Solages did not sing per se and remarkably learnt Russian at high school, but the visceral rhythmic vitality of his interpretation through Sprechstimme and half sung phrases shot through the air with a searing direction aimed straight to our hearts. Poncet de Solanges’s interpretation was a stratigraphic excavation of the thoughts of the distressed prisoner. Theatrical music making of this standard does not get more compelling. Like Bondarenko, Poncet de Solages took us to the place Pärt so aptly seeks – a heart to heart connection that takes us a little above the ground. In this case, the earth rattled.
- Xenia Hanusiak , Opera Wire
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Toulon Opera - Menotti - Amelia Goes to the Ball - Amelia's lover
Le ténor Christophe Poncet de Solages (l’Amant) projette bien sa voix, y compris dans le grand air lyrique, façon opéra italien.
- Irma Foletti , Anaclase
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Lyon Opera - Tchaikovsky - The Enchantress - Lukash, merchant guest
Rarement l'Opéra de Lyon aura accueilli plateau vocal si exemplaire et surtout si homogène. Rendons hommage à la cohorte de rôles secondaires qu'il faudrait tous citer, mais dont nous retiendrons Christophe Poncet de Solages...
- Pierre Liscia , Bachtrack
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Nancy Opéra - Offenbach - La belle Hélène - Ajax I, King of Salamis
Christophe Poncet de Solages et Virgile Frannais, les deux Ajax, excellents tous deux, le premier écrasant l’autre de toute sa haute stature.
- José Pons , Olyrix
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Les deux Ajax sont interprétés par Christophe Poncet de Solages et Virgile Frannais, le plus grand aux allures romaines écrasant le plus petit aux allures napoléonienne, y compris vocalement.
