
Bass-Baritone
Alexander Miminoshvili
"...superbly focused and affecting" - Seen and Heard
Represented by
Representation
"...superbly focused and affecting" - Seen and Heard
Represented by
Representation
Leonardo García Alarcón, Conductor
Jean-Yves Ruf, Stage Director
Leonardo García Alarcón, Conductor
Jean-Yves Ruf, Stage Director
Christopher Moulds, Conductor
Christopher Moulds, Conductor
Evgeny Pisarev, Stage Director
Christopher Moulds, Conductor
Evgeny Pisarev, Stage Director
Christopher Moulds, Conductor
Vincent Huguet, Stage Director
Mandricardo Il palazzo incantato for Opéra de Dijon, Il Capitano La finta pazza for co-production Opéra de Dijon and Opéra Royal de Versailles, Figaro Le nozze di Figaro for Opéra de Lyon*, Opernhaus Zürich, Bolshoi Theatre Moscow; Erimante Cavalli's Erismena at Festival d’Aix-en-Provence, Opéra Royal de Versailles, Saint-Denis Festival and Les Théâtres de la Ville de Luxembourg, Ebro and Giove La morte d’Orfeo for Dutch National Opera, Leone in Handel’s Tamerlano in concert, Fenicio in Rossini’s Ermione in concert and Emireno Ottone in concert with Moscow Philharmonic, Vulcano and Giove in Sacrati’s La finta pazza at Opéra Royal de Versailles; Guglielmo Così fan tutte, Maximilian and Captain in Bernstein´s Candide, Aeneas Dido and Aeneas, Don Alvaro Il Viaggio a Reims, Don Carlos The Stone Guest by Dargomyzhsky, The Lamplighter The Story of Kai and Gerda by Sergei Banevich all for Bolshoi Theatre Moscow. [*- cancelled]
Papageno Die Zauberflöte, Schaunard La Boheme, Le Dancaïre Carmen, A Cat L'enfant et les sortilèges, Figaro Le nozze di Figaro, Police Inspector Lady Macbeth of Mtsensk among others for Helikon Opera Moscow.
Erimante
Francesco Cavalli - Erismena
Erimante
Francesco Cavalli - Erismena
Del minacciar del vento
Handel - Ottone, Re di Germani
Del minacciar del vento
Handel - Ottone, Re di Germani
Alexander Miminoshvili hatte als Figaro nicht nur die Sympathie des Publikums, sondern auch die meisten Lacher auf seiner Seite. Er scheint die Rolle seines Lebens gefunden zu haben und ging geradezu in seinem Spiel auf. Stimmlich präsentierte sich der russische Bassbariton mit kantiger, agiler Stimme. Seine differenziert gezeichneten Gesangslinien, bot er u.a. in „Aprite un po'quegli occhi” eindrucksvoll dar.
The bass Alexander Miminoshvili gave a superbly focused and affecting monologue, ‘Lascia, Diana, omai le’erranti spere’