ARTIST OVERVIEW - ARTIST PROFILE

Artist Profile

© Michal Heller

Soprano

Ewa Vesin

"she is one of the few sopranos able to cope with this taxing role... makes Renata's strikingly evocative obsession credible, she marshaled an array of colors...warm and elegantly contoured (...) She is also a superb actress." - Classical Music Daily

Represented by

Marcin Kopec
marcin@tact4art.com
+44 79 81 91 88 14

Anna Kovtun
anna@tact4art.com

Representation

General World


Press Kit
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Oct
27.
18:00

18:00

Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director

Oct
30.
19:00

19:00

Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director

Nov
2.
19:00

19:00

Patrick Fournillier, Conductor
Barbara Wysocka, Stage Director

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Biography Highlights

Recent & Upcoming

Title roles in ToscaHalka and also Renata The Fiery Angel Polish National Opera, Maddalena de Coigny Andrea Chenier,  Ópera Nacional de Chile Santiago, Tosca Opera Australia.    

Other Engagements

Renata The Fiery Angel Teatro dell'Opera di Roma, Teatro Municipal di Santiago, Chile and Polish National Opera, Marietta in Die tote Stadt, the title role in Turandot for Opera Podlaska, the title part in Tosca for Opera en Plein Air.  

Reviews & Press

Roma Teatro dell Opera - Prokofiev - The Fiery Angel - Renata

In this Teatro dell'Opera production, the protagonist is the young Polish soprano Ewa Vesin. No doubt, she is one of the few sopranos able to cope with this taxing role. She is a soprano with a good and well set voice as well as a wide extension of range. She fits the role well, and makes Renate's strikingly evocative obsession credible - her sexual relationship with the devil that she believes to be an angel, first, and a knight, later, her contagion to a whole group of nuns, and her trial and condemnation to be burnt at the stake. She marshaled an array of colors. She is warm and elegantly contoured whenever she reminisced about the angel. Her voice becomes shrill and cutting when her hysteria reached fever. She is also a superb actress.

- Giuseppe Pennisi , Classical Music Daily

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In particolare la Renata di Ewa Vesin, sempre in scena, d’una fatica sovrumana per il soprano questa partitura, eppure l’interprete non appare mai stanca, è duttilissima, splendida attrice che canta o cantante che recita, sono tutt’uno. Come dovrebbe sempre essere in teatro un cantante.

- Dino Villatico , Gli Stati Generali

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Ewa Vesin adapts with ease to the demanding and taxing role of Renata, rich in hallucinatory soliloquies, lyrical leaps and shouted moments. 

 

- Renato Verga , Bachtrack

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