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Artist Profile

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Tenor

Maxim Paster

... has flair and panache, and fills the scene with his presence both physically and vocally" - Renato Verga, Bachtrack

Represented by

Alex Grigorev
alex@tact4art.com
+4915290004020

Evgeniya Malygina
evgeniya@tact4art.com

Representation

General World


Press Kit
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Upcoming Past
Dec
17.
19:00

19:00

Mussorgsky - Boris Godunov - Prince Vasily Ivanovich Shuisky
Bolshoi Theatre Moscow

Tugan Sokhiev, Conductor
Igor Ushakov, Stage Director

Dec
19.
19:00

19:00

Mussorgsky - Boris Godunov - Prince Vasily Ivanovich Shuisky
Bolshoi Theatre Moscow

Tugan Sokhiev, Conductor
Igor Ushakov, Stage Director

Dec
21.
19:00

19:00

Alexander Vitlin, Conductor
Dmitri Tcherniakov, Stage Director

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Nov
3.
19:00

19:00

Ilya Demutsky - Nureyev, ballet - The Intendant
Bolshoi Theatre Moscow

Anton Grishanin, Conductor
Kirill Serebrennikov, Stage Director

Oct
16.
19:00

19:00

Ilya Demutsky - A Hero of Our Time, ballet - Solo Voice
Bolshoi Theatre Moscow

Anton Grishanin, Conductor
Kirill Serebrennikov, Stage Director

Biography Highlights

Recent and Upcoming Engagements

Debut as Zinoviy Borisovich Lady Macbeth of Mtsensk at Salzburg Festival, Zinoviy Lady Macbeth of Mtsensk at Teatro San Carlo, Tsar Berendey The Snow Maiden at Opéra national de Paris Bastille, Shuisky Boris Godunov at Bayerische Staatsoper München, Opéra national de Paris Bastille, Metropolitan Opera, Göteborgs Symfoniker, Bolshoi Theatre Moscow, Loge Das Rheingold at London Philharmonic Orchestra, Mephistopheles The Fiery Angel at Teatro dell'Opera di Roma, Scrivener Khovanshchina at La Scala, Therapeuten Betrothal in a Monastery at Staatsoper Berlin.  

Other Engagements

Mephistopheles The Fiery Angel at Bolshoi Theatre, Savonlinna Opera Festival, Teatro Municipal de Santiago de Chile, Semperoper Dresden and Teatro Comunale di Bologna, Walter von der Vogelweide Tannhäuser at Théâtre du Capitole Toulouse, Mephistopheles The Fiery Angel, Pong Turandot, Truffaldino The Love for Three Oranges, Remendado Carmen at Bolshoi Theatre Moscow, Zinoviy Borisovich Lady Macbeth of Mtsensk at the Rostropovich Festival Moscow.  

Concert Engagements

Verdi's Requiem at Gothenburg and Vara Concert Halls, Rachmaninoff's The Bells at Teatro Lirico di Cagliari, Janacek's Missa Glagolitica at Bolshoi Theatre Moscow, Palau de les Arts Valencia, Stravinsky's The Wedding at Gewandhaus Leipzig.  

The Fiery Angel

Mephistophelles

The Fiery Angel

Mephistophelles

Discography

Publications
Maxim in Vladimir Fedoseyev. Metropolitan Hilarion Alfeyev: St Matthew Passion

Vladimir Fedoseyev. Metropolitan Hilarion Alfeyev: St Matthew Passion

Vladimir Fedoseyev. Metropolitan Hilarion Alfeyev. St Matthew Passion

Maxim in Mussorgsky: Boris Godunov

Mussorgsky: Boris Godunov

Mussorgsky: Boris Godunov (1869 Version)

Maxim in Berg: Wozzeck

Berg: Wozzeck

Wozzeck (Live Performance), 2016

Maxim in Tutto Tosti: Volume 1

Tutto Tosti: Volume 1

Tutto Tosti Volume 1 - Maxim Paster, Dmitry Sibirtsev, 2004

Maxim in Marechiare (Live): Maxim Paster

Marechiare (Live): Maxim Paster

Marechiare (Live) Maxim Paster From the Album Francesco Paolo Tosti - Romances and Songs (Vol.1) May 1, 2011

Maxim in Album Metropolitan Hilarion Alfeyev: Music for Orchestra and Choir

Album Metropolitan Hilarion Alfeyev: Music for Orchestra and Choir

St. Matthew Passion, The Burial: My God, I Shall Sing You a Threnody Maxim Paster From the Album Metropolitan Hilarion Alfeyev: Music for Orchestra...

Reviews & Press

Roma Teatro dell Opera - Prokofiev - The Fiery Angel - Mephistopheles

Maxim Paster als Mephistopheles ist ergreifend schrecklich und verführerisch zugleich.

- Thomas Migge , Klassik Info

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Mefistofele di Maxim Paster, strepitoso, penetrante hohen Tenornel solco della tradizione istrionica – quando non isterica – d’inizio secolo (si pensi a Herodes nella Salome di Strauss o al Capitano nel Wozzeck di Berg, estreme propaggini del Mime wagneriano). 

- Giuseppe Montemagno , Connessi all'Opera

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Maxim Paster has flair and panache as Mephistopheles and fills the scene with his presence both physically and vocally. 

- Renato Verga , Bachtrack

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Milano La Scala - Mussorgsky - Khovanshchina - Scrivener

 El siempre remunerativo y difícil papel del escriba tocó al muy correcto Paster.

- Jorge Binaghi , Mundo Clasico

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In Act one, the tenor, Maxim Paster, gave a strong performance in the role of the Scribe. Menaced by Shaklovity and bullied by the crowd, Paster produced a convincing performance of a man trying to maintain his dignity whilst under stress. His voice was secure, with a pleasing timbre. He sang with a noble air, and projected the voice firmly.

- Alan Neilson , OperaWire

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 On retiendra aussi la belle prestation de Maxim Paster en clerc

- Claudio Poloni , ConcertoNet

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