ARTIST OVERVIEW - ARTIST PROFILE

Artist Profile

© Andrey Uspensky

Mezzo Soprano

Aigul Akhmetshina

The Russian mezzo Aigul Akhmetshina is only in her early 20s, but she has got it all: striking good looks, a vibrant stage presence and a great voice. ‘The new Netrebko’ - David Mellor, Daily Mail

Represented by

Marcin Kopec
marcin@tact4art.com
+44 79 81 91 88 14

Kamelia Manovska
kamelia@tact4art.com

Representation

General World


Press Kit
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Oct
22.
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Timothy Myers, Conductor
Rodula Gaitanou, Stage Director

Oct
29.
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Timothy Myers, Conductor
Rodula Gaitanou, Stage Director

Nov
1.
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Timothy Myers, Conductor
Rodula Gaitanou, Stage Director

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Biography Highlights

Current Season

Following her sensational role debut as Carmen in Barrie Kosky’s new production at the Royal Opera House, Aigul Akhmetshina’s 2019/2020 season debuts include Polina Queen of Spades for Teatro San Carlo Napoli, Hannah Die Passagier  at Teatro Real, Olga Eugene Onegin with Israeli Opera and Dulcinea Don Quichotte for Wexford Opera Festival, Stabat Mater with the Netherlands Radio Philharmonic, Olga in the concert version of Eugene Onegin with Moscow Philharmonic Orchestra and Russian National Orchestra. 

Future Engagements

Debuts with Zurich Opera, Glyndebourne Opera Festival, Gran Teatre del Liceu, Opera Australia, New National Theatre Tokyo, and returns to the Royal Opera House, Teatro Real and Deutsche Oper Berlin as Rosina, Carmen, Cenerentola, Fenena, Orlovsky. 

Other Engagements

Preziosilla La forza del destino, Carmen and Mercedes Carmen, Carmen La Tragédie de Carmen, Sonyetka Lady Macbeth of Mtsensk at the Royal Opera House, concert version of West Side Story with Accademia di Santa Cecilia in Rome and Maestro Pappano, concerts with National Russian Orchestra with Maestro Spivakov, and with London Philharmonic Orchestra at the Royal Festival Hall, Bournemouth Symphony Orchestra at the Bath Abbey, Carinthian Symphony Orchestra during Carinthian Summer Music Festival in Austria.

Awards

Grand Prix at the International Hans Gabor Belvedere Singing Competition.

Portraits

© Andrei Uspensky

Carmen

Royal Opera House Covent Garden - Carmen's aria "Seguidilla"

Carmen

Royal Opera House Covent Garden - Carmen's aria "Seguidilla"

Carmen

Royal Opera House Covent Garden- Carmen's Aria "Habanera"

Carmen

Royal Opera House Covent Garden- Carmen's Aria "Habanera"

Reviews & Press

Royal Opera House - Verdi - La forza del destino - Preziosilla

Aigul Akhmetshina was a superbly alluring Preziosilla, executing her song-and-dance numbers with panache and displaying some great low-register vocal technique along the way. She’s a talent to look out for.

- David Karlin , Bachtrack

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Royal Opera House - Verdi - La forza del destino - Preziosilla

Aigul Akkmetshina did everything that was asked of her as Preziosilla, which is a lot, ranging from attempted seduction of Don Alvaro, to creating a series of musical-theatre style dance numbers for the final scene of Act Three. Akhmetshina has a high, bright mezzo-soprano voice and is perhaps not a conventional Preziosilla but she shone here with a winning personality and I look forward to her in further roles.

Planet Hugill

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Royal Opera House - Verdi - La forza del destino - Preziosilla

Jette Parker Young Artists’ Program member Aigul Akhmetshina was a technically secure and often exciting Preziosilla with a youthful and agile voice. Even more remarkably, this mezzo from Bashkortostan threw herself with gusto into the highly choreographed dance sequences, a mix of chorus line, belly dancing and burlesque. I don’t envy her A-cast colleague who needed to compete with the moves of this multi-talent. 

- Philip Eisenbeiss , Interlude.hk

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Royal Opera House - Verdi - La forza del destino - Preziosilla

The star of the evening was undoubtedly Aigul Akhmetshina, whose vivid, vocally lustrous Preziosilla should really have been chosen for the cast. This singer is clearly going places.

- Hugh Canning

London Royal Opera House - Recital at Lunch

Aigul Akhmetshina, a 21-year-old Russian mezzo-soprano, is the real deal. She was discovered as a 19-year-old by David Gowland, the artistic director of the Jette Parker Young Artists programme, who proudly and skilfully accompanied her in a lunchtime recital at St Clement Danes in London. Akhmetshina began with Wagner's Wesendonck Lieder, sounding much more mature than 21 (already a Brangäne for Tristan und Isolde), although there's a charming naivety about her. She has the beauty in her voice for this music but also darkness and blade, with an intense vibrato. She's innately musical - and instinctive - which was revealed in Shostakovich's Spanish Songs. Her resonant lower register and easy top combine a 'cool hotness' - perfect for Carmen, which she's covering at ROH next year. Akhmetshina is heading for the major mezzo roles, and deserves to be a big star. 

- Louise Flind , Opera Now

London Royal Opera House - Bizet - Carmen - Carmen

Mezzo-soprano Aigul Akhmetshina has an immaculate voice. It is slender, gentle, and soothing on many levels, making her a solid Carmen. She has a ringing top that was on full display throughout the inserted portions of the Habanera, which challenges the singer with a higher tessitura. She managed her voice quite well throughout this version of the piece, especially in moments where she had to sing over a blasting choral ensemble.

There was great flexibility in her singing throughout the Seguidille, but she truly shone throughout Gypsy song that opens Act two. Here she not only managed to tackle all of the piece’s vocal challenges, but did so while dancing incessantly. Her voice never sounded the least bit troubled by the choreography; it was a true virtuoso display.

“En vain pour éviter” was perhaps the lone moment where her Carmen projected any contrasting emotions, the mezzo darkening her delicate timbre and even expressing a sense of dread with some sharp accents in the lower reaches of her voice as she lamented her fate.

- David Salazar , OperaWire

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London Royal Opera House - JPYA Summer Performance -

Aigul Akhmetshina, who opened the second act in Dalila's big aria, launching herseld with ease over the huge orchestration...She has a dark quallity to her voice and shone dramatically on stage

- Louise Flind , OperaNow

Stage Highlights

At a glance: Aigul Akhmetshina: news & press
 

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